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SCRIPT OF THE CRITICAL Radiocine PUBLISHED.

was the first. Yes, the first, or at least recognize it now. It was the first to comb rare, flaunting ugly and add all the innate physical characteristics Brooding goths (takes words) that exude a lot, most of his films. And that is devoting his career, selling his name, not his films.

Tim Burton is already a film style, but like many of his followers in the "frikiestilo" (for example, English Álex de la Iglesia), which is to go through life rarete answer seudointelectulamente and seudomisteriosamente interviews, surrounded by a loyal group of actors as extravagantas one and therefore believe that the film goes out alone, as many of his supporters say, has not realized that the film takes effort.

And Burton refuses to try the same in the Big Fish in great unnecessary Planet of the trivial, say apes in the exciting Ed Word that the Mars Attacks insipidus in the very personal Eduardo Scissorhands and the ... let the adjectives and then Sweeney Todd.

is, we already know, a musical, a musical terror, which is what I think in this case gives the original tone to the tape, it is not uncommon to hear how the actors sing the rate at which start in cain between sets and full of light and dark contrasts of light, with some interesting camera game, but in fact we have seen in many other productions.

But it is most clearly shows the laziness of Burton in the film is its lack of transcendence. Once past the introduction to the prototype construction of the main character (the barber Sweeney Todd) from dark and tragic events of the past, the film becomes a parodic repetition of blood splatters and splashes. And neither the director nor the writer or anyone seeking to find after the corners of the image or bring anything new and their own, lest we have to show less blood and less "seudoguarradil

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eza retired (yes, I will make some funny chistecillos saying, taking, as it is 61 years old) in Burma, hunting snakes and catching fish with arrows, but alas, my friends, this beginning is worth an empire, is the beginning epic. Because if a structure perfectly fits this film is that of the epic. A fallen hero with a troubled past, but somehow (despite the flashbacks to previous films) is hidden, an event that involves their destiny of hero and you take your final outcome. And all the elements involved in this: the blonde girl with perhaps nothing but push him to show his good side and a longing for family life that has never had (it is interesting to see how much in Rocky as Rambo Wild type is shown as a profound defender of the family), the team that this time, Rambo was being a great solo in his first three films, will bring a new vision, the ruthless, evil and inhuman Burmese soldiers ...



is the story of the hero who emerges, the phoenix, the return of Odysseus, is the oldest story there told the man, but the story we like ... if done well . For Stallone wheel with a precision rarely seen in films with a montage style so fast and so involved in battles like this. We are accustomed to scenes with camera in hand and sudden movements in whichonly shows that there are many bumps and lots of violence, but here you can see precisely, slightly morbid, yes, but for what today is not too much, what happens in the action and why.

The myth is a loner, you need a push to make sense of his life, he finds it and step us his "thesis" that violence is necessary. No more, nor less in the film. John Rambo does not transcend, it is sobering, but not boring (takes 1 hour and 20, but if like me you like the credits will have to wait 10 minutes) leaves no grounds whatsoever, do not ask questions, and in case of any difference the answer is in